My work integrates traditional counted-thread embroidery techniques with freehand surface embroidery to create encrusted surfaces that are complex in their variety of stitches.  Explosions of freehand embroideries interact with the structure of counted-thread techniques; at times obscuring and overtaking it and at other times weaving itself harmoniously. Obsessively detailed surfaces are used to create areas of order and rigidity amongst chaotic overgrowth, which reflects my personal struggle to be everything for everyone while appearing effortless. The viewer is drawn in close to see the layers and minute details that represent the complexities of nature and ideas.

Hardanger, drawn-thread, freehand embroidery, needlepoint, and tatting are techniques found frequently in my work.  I work with silk, cotton, linen, and wool threads on cotton and linen foundation fabrics.  Each piece is stitched in layers; slowly filling in and then building over the earlier layers.  I may begin with an image or an idea of combining particular techniques, but soon the stitches find their own voice and my work becomes purely intuitive.  

A passion for handwork was sparked in me by my mother and grandmother (maternal).  Many of my most distinct early childhood memories are of them with needle in hand or at the sewing machine.  As a mother myself, I want my children to be immersed in a continued legacy of handwork.